{"id":133641,"date":"2022-09-12T17:53:11","date_gmt":"2022-09-12T21:53:11","guid":{"rendered":"http:\/\/stateofthenation.co\/?p=133641"},"modified":"2022-09-12T17:54:29","modified_gmt":"2022-09-12T21:54:29","slug":"133641","status":"publish","type":"post","link":"https:\/\/stateofthenation.co\/?p=133641","title":{"rendered":"

One last HIGHLY RADIOACTIVE expos\u00e9 on the false flag 9\/11 terrorist attacks carried out by the Khazarian Mafia.<\/span><\/b><\/h2>"},"content":{"rendered":"
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Thoughts on the WTC Artists<\/strong><\/h3>\n<\/div>\n<\/div>\n<\/div>\n
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A large group of artists were given space and construction access<\/strong><\/h3>\n

to the World Trade Center in the four years leading up to 9\/11<\/strong><\/h3>\n

markdotzler.com<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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I want to call your attention to the artist groups (E-TEAM\u00a0<\/span>and\u00a0GELATIN<\/span>) who were selected to be part of the Lower Manhattan Cultural Council (LMCC)\u00a0World Views \/ Studioscape<\/a>\u00a0(link gone now) programs that allowed them and other artists to work and live in the WTC in the four years leading up to 9\/11 on different floors, including 91 and 92 of the North Tower.\u00a0 Additionally, they were given seven day a week construction access to the WTC that allowed them to freely move all sorts of materials in and out of the complex.<\/p>\n

(Note:<\/span>\u00a0When you give young artists access to a building and work-live space, they\u2019re going figure out everything they can and can\u2019t get away with in there.\u00a0 I\u2019ve lived in several wild artist buildings and from my experience, once they\u2019re in, they can get anywhere they want…especially with climbing gear & harnesses…see photos below.\u00a0 LMCC and WTC management would know that before approving such a program.\u00a0 For artists to be able to take out windows on the 91st floor and install a makeshift \u201cbalcony\u201d (see the NYTimes, August 2001<\/a>) protruding out of the building should give you some real insight into just how lax WTC security was at that time and how dangerous the LMCC program was.\u00a0 Sounds to me like the WTC was conveniently out of control in the years leading up to 9\/11 and that security there was a complete joke as far as these artists and all their friends were concerned…see photos below.)<\/p>\n

As you may know, audacity, arrogance and a love of esotericism (\u201cit\u2019s a great piece of artwork…you just don\u2019t get it\u201d) are common features of the art world, especially among privileged and highly connected, younger artists.\u00a0 Therefore, I think it is plausible that the E-Team might also stand for Explosives Team (amongst themselves, their handlers and sponsors) and that Gelatin\u2019s The B-Thing may also be, not so secretly, referring to explosives (see\u00a0blasting gelatin<\/a>\u00a0& note that\u00a0Gelatin became Gelitin in \u201905<\/a>…wonder why?).\u00a0 Keep in mind that we gave these foreign groups WTC construction access and allowed them to live directly in the strike zone through the LMCC World Views and Studioscape programs.\u00a0 They would probably look upon most of Americans as complete idiots and that their work was highly sanctioned by the people in charge.<\/p>\n

And as incredible as it might sound, I think it is very possible that the \u201cteam\u201d (that included many others) may have advertised itself in a major way to their special audience under the cover of \u201cart\u201d, right on the WTC strike zone just before 9\/11 (see\u00a0127 Illuminated Windows<\/a>)<\/span>.\u00a0 Further, in an incredible display of audacity and arrogance Gelatin members openly exposed themselves (reportedly naked) to be photographed by helicopter at the location of all their (possible) crimes, prior to 9\/11 (The B-Thing<\/a>).\u00a0 And finally, in what may be the ultimate esoteric performance art pc. of all time, they might have intentionally photographed individuals (some who may have known what was coming) directly in the initial WTC strike zone, prior to 9\/11 (see\u00a0Quick Click<\/a>).\u00a0 Yes, this is awful to imagine, but considering the controlled demolition evidence now available to us, it might be important to look at these artists and their artwork in a new light, since the explosives had to be put there by some group of people who had access.\u00a0 I find it interesting that some of the above artwork has no real significance without the events of 9\/11, especially when you consider that these are artists deemed so talented by the LMCC\u2019s standards, that they should be given free studio space and homes in the World Trade Center.\u00a0 LMCC endorsing a simpleminded artist name promotion (E-TEAM), a stand in the window photo shoot w\/copter and an \u201cunofficial\u201d dangerous (did they-didn\u2019t they) balcony prank w\/copter, just doesn\u2019t add up to me.<\/p>\n

(Note: In the years that followed the careers of these two artist groups flourished with shows all over the world.\u00a0\u00a0Further, consider the possible message and target audience for this recent\u00a0<\/span>photograph<\/a>.\u00a0 Is that a veiled threat, demanding even faster art career advancement, from those in charge?)<\/span>
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Artists are traditionally known to be good with their hands and to often engage in long and tedious types of work.\u00a0 All you need to do is add a little training and hate to the mix.\u00a0 Note the climbing gear and the detailed outer structure & inner core renderings in the The B-Thing floor plan & photos below.\u00a0 Also consider the very precise timing notes on that plan drawing and how important that kind of thing might be for certain types of activities, when buildings are occupied.\u00a0 I think these artists can be deadly serious when they want to be and operate behind a sort of clownish artistic facade.\u00a0 Their Trojan Horse analogy is interesting and telling too…however, maybe its inside of the artist as an individual, that the attacker is hiding.\u00a0 Artists as Trojan Horses.<\/p>\n

Lastly, I think the Framed Dummies artworks (see below) in the buildings\u2019 concourse and on an outside walkway (one set of them inside & one set of them outside) were yet another part of these possible sick jokes…artwork pieces esoterically referring to framing the Muslims (Gutless Men Carried It Out<\/a>), who were often portrayed like this in the years right after 9\/11…bad guys in the dark outfits…who were always ready to cut someone\u2019s head off, when they weren\u2019t training on their (playground) monkey bars.\u00a0 It\u2019s weird how we don\u2019t see any of that anymore…I guess those images were determined to be firmly implanted.<\/p>\n

Knowing artists as I do, I think above scenario is very possible.\u00a0 I\u2019m not accusing anyone here, it all may be very innocent, I\u2019m just stating that it is possible and that it is a very strange set of coincidences under the circumstances.\u00a0 However, I do think it\u2019s of national importance to investigate thoroughly the LMCC programs, its administrators, directors, all WTC\/LMCC artists, all related artwork and photography.\u00a0 It sickens me to think that \u201cleaders\u201d could teach young artists to hate and to encourage them to use their creative skills in hateful ways.<\/p>\n<\/div>\n

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E-Team (Hajoe Moderegger,<\/p>\n

Franziska Lamprecht, Dan Seiple)<\/p>\n

127 Illuminated Windows<\/p>\n

March 2001<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Framed Gutless Men artwork inside WTC\u00a0 on\u00a0 9\/11<\/p>\n

video link<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Gelitin, The B-Thing,\u00a0 91st Floor of WTC 1<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Gelitin, The B-Thing,\u00a0 91st Floor of WTC 1<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Gelitin, The B-Thing,\u00a0 91st Floor of WTC 1 (FICKEN is German for F**K)<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Gelitin, The B-Thing,\u00a0 91st Floor of WTC 1<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Gelitin, The B-Thing,\u00a0 91st Floor of WTC 1<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Gelitin, The B-Thing,\u00a0 91st Floor of WTC 1<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Gelitin, The B-Thing,\u00a0 91st Floor of WTC 1<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Gelitin, The B-Thing,\u00a0 91st Floor of WTC 1<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Gelitin, The B-Thing,\u00a0 91st Floor of WTC 1<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Gelitin, The B-Thing,\u00a0 91st Floor of WTC 1<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Note the window glass<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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(Framed)<\/p>\n

Gutless Men Carried It Out<\/p>\n

A second part of the above<\/p>\n

artwork was located just outside<\/p>\n

one of the WTC exits.<\/p>\n

That YouTube Video<\/p>\n

can be seen<\/p>\n

HERE<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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September 2001<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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See link below<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Related Links:<\/p>\n

Lower Manhattan Cultural Council – WTC Artist Program<\/p>\n

http:\/\/www.lmcc.net\/residencies\/workspace\/past_sessions\/world_views<\/a><\/p>\n

The Artist Residency Program in the Twin Towers – Art Loss \/ Insurance<\/p>\n

http:\/\/www.ifar.org\/nineeleven\/911_residency1.htm<\/a><\/p>\n

E-TEAM<\/span>\u00a0<\/span>artist website (Franziska Lamprecht & Hajoe Moderegger)<\/p>\n

http:\/\/www.meineigenheim.org\/index.html<\/a><\/p>\n

\u25ba<\/span>\u00a0 127 Illuminated Windows\u00a0<\/span>Project, WTC 1 , 91st Floor, North Face<\/span>
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http:\/\/meineigenheim.org\/projects\/events\/127illuminated_windows\/index.html<\/a><\/p>\n

\u25ba\u00a0\u00a0\u00a0Quick Click<\/span>\u00a0<\/span>Project, WTC 1 , 91st Floor, North Face Movie Link:<\/p>\n

http:\/\/meineigenheim.org\/videos\/media\/qclick.html<\/a><\/p>\n

Article<\/a>\u00a0– on more recent e-team art activity<\/p>\n

GELITIN<\/span>\u00a0<\/span>artist website:\u00a0http:\/\/www.gelitin.net\/projects#<\/a>\u00a0\u00a0\u00a0wikipedia<\/a>\u00a0(note name change)<\/p>\n

\u25ba\u00a0\u00a0\u00a0The B-Thing<\/span>\u00a0<\/span>Project:\u00a0http:\/\/www.gelitin.net\/projects\/b-thing\/<\/a>\u00a0)<\/p>\n

New York Times Article<\/a>
\n(Text version:\u00a0http:\/\/www.nytimes.com\/2001\/08\/18\/nyregion\/balcony-scene-unseen-atop-world-<\/a><\/p>\n

The B-Thing book at\u00a0<\/span>Amazon<\/a><\/p>\n

Book Credits:\u00a0 Walter K\u00f6nig, Cologne, 2001<\/p>\n

ISBN: 3-8837-507-9<\/p>\n

32 pages, colour throughout, embossed hard covers<\/p>\n

Text: Tex Rubinowitz<\/p>\n

Photos: Maria Ziegelb\u00f6ck, Thomas Sandbichler, Susanne Wimmer, gelatin<\/p>\n

Layout: Johannes Heuer<\/p>\n

Radio Show with Core of Corruption creator<\/span>:\u00a0http:\/\/www.radiodujour.com\/mp3\/20091017_kevinbarrett_jonathanelinoff.mp3<\/a>
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Jonathan Elinoff\u00a0<\/span>Documentary<\/span>\u00a0Core of Corruption<\/a>
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PREPARING THE WTC FOR DESTRUCTION – Conspiracy Cafe<\/a><\/p>\n

ART STUDENTS in WTC Connected to ISRAELI INTELLIGENCE SERVICE, Investigaiton by CoreOfCorruption.com – YouTube<\/a>
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Art students in WTC Connected to Israeli Intelligence Service<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>Video<\/a><\/p>\n

Jonathan Elinoff Article<\/a>\u00a0 –\u00a0Art Students in WTC Connected to Israeli Intelligence Service
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Fox News<\/span>\u00a0Series<\/span>\u00a0On\u00a0<\/span>Israeli Spying In America<\/span>\u00a0–\u00a0http:\/\/rense.com\/general31\/fnews.htm<\/a><\/p>\n

\u25ba\u00a0\u00a0\u00a0<\/span>Israeli Mossad Involvement in The 911 Attacks – Part 1<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0Part 2<\/a><\/p>\n

History Commons<\/span>:<\/span>\u00a0\u201cIsraeli art students\u201d<\/span>
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http:\/\/www.historycommons.org\/entity.jsp?entity=_israeli_art_students_
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The Israeli \u201cart student\u201d mystery – Salon.com<\/a><\/p>\n

Israeli Art Students & The\u00a0<\/span>DEA<\/span>\u00a0 –\u00a0\u00a0http:\/\/physics911.net\/deareport\/<\/a><\/p>\n

and here –\u00a0http:\/\/cryptome.org\/dea-il-spy.htm<\/a><\/p>\n

9\/11: THE TRUTH COMES OUT –\u00a0\u00a0http:\/\/www.antiwar.com\/justin\/j030802.html<\/a><\/p>\n

\u201cDancing Israelis\u201d Arrested On 9\/11<\/a>\u00a0 –\u00a0Veterans Today<\/span><\/p>\n

(<\/span>PDF auto-download) Dr. Alan Sabrosky (<\/span>U.S. Army War College, Director of Studies, Strategic Studies Institute<\/span>)<\/span>\u00a0<\/span>Zionism Unmasked<\/span>:\u00a0https:\/\/www.transcend.org\/tms\/pdf\/?article_id=3837<\/a>
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Treason, Betrayal and Deceit<\/a>\u00a0 by Alan Sabrosky\u00a0\u00a0\u00a0\u00a0\u00a0 ( also\u00a0\u00a0<\/span>here<\/a>)
\n<\/span><\/p>\n

Dr. Alan Sabrosky Interview:\u00a0http:\/\/www.youtube.com\/watch?v=wq2pGd9ViUM<\/a>
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Related to Dr. Sabrosky\u2019s thoughts see the in depth documentary:\u00a0\u00a09\/11 MISSING LINKS<\/span>:\u00a0\u00a0https:\/\/www.youtube.com\/watch?v=tv1kzLXyZ4k<\/a><\/p>\n

\u25ba\u00a0\u00a0\u00a0BB 18\u00a0 Power Feed Lug<\/a>\u00a0\u00a0\u00a0–\u00a0 Wire Management Device\u00a0 (<\/span>lug electrical connector, a bolt on an enclosure tied to an electric potential within the enclosure, supporting the connection of a cable)
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\u25ba\u00a0\u00a0\u00a0Gutless Men Carried It Out<\/span>\u00a0– (outside)\u00a0http:\/\/www.youtube.com\/watch?v=U-RCeGl2OvU<\/a><\/p>\n

\u25ba\u00a0\u00a0\u00a0<\/span>Framed dummies (inside) WTC on 9\/11<\/a>\u00a0 (someone later added a weird voice over to the footage)<\/p>\n

___
\nhttps:\/\/www.markdotzler.com\/Mark_Dotzler\/WTC_Artists.html<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Thoughts on the WTC Artists A large group of artists were given space and construction access to the World Trade Center in the four years leading up to 9\/11 markdotzler.com<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-133641","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/stateofthenation.co\/index.php?rest_route=\/wp\/v2\/posts\/133641","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stateofthenation.co\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stateofthenation.co\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stateofthenation.co\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stateofthenation.co\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=133641"}],"version-history":[{"count":0,"href":"https:\/\/stateofthenation.co\/index.php?rest_route=\/wp\/v2\/posts\/133641\/revisions"}],"wp:attachment":[{"href":"https:\/\/stateofthenation.co\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=133641"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stateofthenation.co\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=133641"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stateofthenation.co\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=133641"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}